The first season introduces human police inspector Rycroft “Philo” Philostrate (Orlando Bloom) and his former lover, fae Vignette “Vini” Stonemoss (Cara Delevingne), as a string of murders rocks the gaslit city of The Burgue, while the second sees tensions between the populace erupt as the oppressed fae make a stand for their freedom-and with Philo and Vini on opposite sides. But there’s still a neat package of 18 beautifully produced episodes to enjoy for a relatively concise binge. Sadly, the Covid-19 pandemic massively delayed its second-and ultimately final-season. Its strong first season showed huge potential, framing deeper themes of class, immigration, and race within a fantasy world where dominant humans and refugee fae live in uneasy lockstep. There’s an element of “what might have been” about Carnival Row.
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